Let me tell you a secret. Norman Rockwell battled depression his whole life. According to his longtime shrink Erik Erikson, the iconic American painter most famous for his folksylicious portraits of the happy American family- painted his happiness, but did not live it.
From 1916 through the 60’s, Rockwell cranked out 323 cheer-worthy covers for the popular Saturday Evening Post. Much of his fabled brand of domestic bliss set the bar insanely high for our flailing families, and I’ll wager it helped to feed the beast of social pretence, Hollywood escapism and closeted misery that is all-the-rage in home decor today. The need to keep up with the Rockwells chews at the soul of a family. Failure to keep up is admitting inferiority, defeat. Revealing who we really are is scary.
In the suburban 1970’s, at faithful department stores across America, Family Portraiture and its platitude of posing trumped Rockwell art as the photographic equivalent of manufactured happiness. Fake wood, grinding smiles and air-brushed teeth.
Flash-forward to the summer of 2012, when I nabbed an original Family Portrait, circa ’76, at a small-town American garage-sale. It captured the classic snow-white clan in all its patented glory, with shimmering blond hair, sky-blue eyes and button noses that dazzled my hairy, schnozzled ethnicity and made me feel a strange longing for something that wasn’t me.
I had big plans to doodle over the mock background; to offer a gilded, wall-papered home for a flawless family and present it to dear, white friends as a wedding gift. What happened is another story.
GOOD NEWS FLASH: People all over the world are rising up.
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